THE CLONES - DIARY TRANSCRIPTS VOLUME I | ||||
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1977 | Sept 13th | Rain's first gig at Crows Nest Hotel coincides with the 15th anniversary of The Beatles |
signing to EMI, Jewish New Year and the anniversary of the Munich Olympics terrorist | ||
attack! | ||
Dec 11th | "After much negotiation, late nights, ulcers, job leaving, murders, assassinations, death, | |
hurt, pain, whipping, destruction and other things not exactly pleasant, we are | ||
still on the brink of a break up. These are very bad times for all - this might be the | ||
last entry - I pray there is a future and just a few more pages to add to this | ||
diary (Sunday 11.12.77 5.46pm)" - Noel | ||
1978 | April 17th | "There was a young band called The Clones |
who once went around as the Drones | ||
but then they got tight | ||
which made the sound right | ||
but that doesn't account for the fucking drumming!" - Mark | ||
May | John - "I've been in this bloody band now for some two months (yes, two months - it only seems | |
like years!) and I can't stand it anymore, I'm going crazy!! I mean, could you survive? Noel Sharpe | ||
constantly describing his love life in detail at three in the morning then there's Mark with his socks | ||
that have six ways to get in and his bloody awful cups of tea then Ian (who has great taste in music) | ||
[and his] hours of guitar tuning and "I love Johnny Rotten" sing-a-longs but all in all I'm having a | ||
great time......P.S - Who's Aly? | ||
"John walked down the street feigning a hat-pin from an old lady bird flying in the sky pilot engine of a | ||
Boeing 707 jet race which wasn't the decision of the final decision that made a false pretence on a | ||
camp divided by a main roads system is a pathetic situation comedy to be in, speaking of which I | ||
almost died in the arseholes to that you pigeon-headed piece of baloney to you!" - Mark | ||
A SHORT STORY by Mark | ||
....and so Rarney Bubble and Chester Diptheria went on holiday together to a decrepit island where they | ||
met Agnes Moorehead and Beatrice Lung and proceeded to play table tennis. Toast and pancakes was | ||
their main food supplemented occasionally by a chess set or bacon and eggs. One day the camp | ||
proprietor, Cyril Weatherboard-Cottage, arrived at their tent and told them to fucking piss off or | ||
he'd shoot their fucking arseholes out......... | ||
May 16th | LOVE LIVES: | |
Mark: Doesn't care | ||
John: Up and down, up and down | ||
Noel: It's dead still and going backwards | ||
A MINI-PLAY: THE CLONES (A Day in the life of.........) | ||
Characters: | ||
John - Rhythm guitar, vocals, ace songwriter | ||
Ian - Lead guitar, vocals, red colouring | ||
Noel - Drums, non-musical contributions, bi-focals | ||
Mark - Bass, vocals, brunt of humour | ||
9am | Mark & John wake up and launch into 'chin chins' from (The Easybeats') Baby I'm A Comin' | |
9.10am | Noel & Ian wake up and throw pots and pans at Mark & John | |
9.11am | Mark & John stop singing 'chin chins' from Baby I'm A Comin' | |
9.12am | Noel & Ian return to their slumber | |
9.13am | Mark & John launch into the chorus from I Want to Hold Your Hand | |
9.14am | Noel & Ian wake up again and throw Mark & John off verandah | |
9.16am | Noel & Ian return to sleep | |
9.30am | John & Mark come back to the flat slightly bruised and decide to make breakfast | |
10am | Noel & Ian eat breakfast | |
10.01am | Noel & Ian throw breakfast at Mark & John | |
[Dialogue begins.....] | ||
JOHN | Sorry, but I thought you liked chicken liver sauce and asparagus tips on crumpets | |
IAN | (cough, cough, splutter....) | |
NOEL | (cough, cough, splutter........urgggggggggh, vomit, splutter) | |
JOHN | Ok - how about Corn Flakes? | |
MARK | What a wonderful, peachy keen idea | |
NOEL | [singing] "I'd like to teach the world to sing........." | |
[at this point the other three break into fits of convulsive laughter] | ||
JOHN | Let's go to practice [writes a song first] | |
MARK | What a great, simply wonderful idea! | |
IAN | Fuck off, you great corny shit-face! | |
MARK | Pardon me, I'm sorry, I didn't quite catch that but I'm sure it was a nice thing you said though | |
[they finally manage to get to practice] | ||
JOHN | [while writing a song] I hope we get a lot done today cos' I'm going away next week [looks up and | |
finishes song] | ||
IAN | [while punching Mark in the stomach] That's ok, we can do fifteen gigs and three practices while | |
you're away | ||
JOHN | [while completing a three song suite he just thought of] Oh, thanks a lot! [he finishes the suite] | |
IAN | [while stabbing Mark through the heart with a red hot poker] That's ok | |
MARK | Oh, I'm sure that was but a minor accident on your part Ian | |
NOEL | Hey, why don't we learn the entire album of Tubular Bells for our encore? | |
IAN | No | |
MARK | Of course Noel, what a simply marvellous idea [suddenly, Mark is overcome by acute depression and | |
spends the rest of the practice huddled in a corner screaming] | ||
JOHN | You're kidding, I'd never do that crap - it's worse than The Troggs! | |
IAN | Right, let's run through the songs | |
JOHN | I think it would be better to learn sixteen of my new songs that I've just written [he quickly grabs a | |
blank sheet of paper and writes another song], this new one is called One Day Last Week and this other | ||
one is called One Day Next Year and - hold it [writes another one] this one is called One Day in the | ||
21st Century | ||
4.15pm | [Practice ends] | |
[John pisses off - Noel, Mark and Ian pack up the gear] | ||
6.30pm | [Noel, Mark and Ian leave the studio and plead with Trevor (studio boss) if they can be in Studio 4 | |
next week] | ||
TREVOR | No, Lynx have a permanent booking because they are the future of rock and have such | |
great personalities! | ||
[John comes back and catches Mark, Ian and Noel before they leave and hands them fifty eight new | ||
songs of his to learn] | ||
Sept 22nd | Noel - "We played the Epping School of Arts - we followed a heavy rock band who were very heavy, | |
lights etc. you know. We had them dancing and ya-hooing. John and me ripped some posters off the | ||
walls advertising Widow Quinn and The Clones until only one was left advertising The Clones. I had | ||
my wallet stolen and then I saw Batman and Robin." | ||
Sept 29th | Played the Regent Hotel, Kingsford. Mrs Clones Manager (Annie Keogh) saw us for the first time........ | |
....."and the last time for God's sake!" she said. | ||
Mrs Clones ("I hate the Beatles") Manager is still suffering and must be injected with daily doses | ||
of butterscotch to help her recover from the shock. | ||
BEING A SHORT DIVERSION ON THE RELEASE OF THE FIRST CLONES ALBUM...... |
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Pop picking is a fast and furious business these days, whether you are on the recording studio side | ||
listening out or on the disc counter side listening in. | ||
As a record reviewer, I find myself installed halfway in between with an ear cocked in either direction. | ||
So far as Australia's record collecting public is concerned, The Clones broke into earshot in October 1979. | ||
My natural hometown interest in the group prevented me taking a totally unbiased view of their | ||
early success. | ||
Eighteen months before their first visit to the Albert Studios in Sydney, The Clones had been voted | ||
Sydney's favourite outfit and it was inevitable that their first EMI record, AARDVARK ME DO, would | ||
go straight into the top of Sydney's hit parade. | ||
This record comprises eight Cloned compositions in addition to six other numbers which have | ||
become firm favourites in The Clones varied repertoire. | ||
The group's admiration for the work of The Aardvarks is demonstrated by the inclusion of | ||
BABY A-CHOO CHOO (John taking the lead sneeze with Mark and Ian supplying the harmony hiccups) | ||
and TITS (a fast rocker which allows drummer Noel to make his first and last recorded appearance | ||
as a semi-vocalist). | ||
BANANNA, DON'T ASK ME WHY and SHAKE AND SHOUT also feature stand-out solo performances | ||
from John whilst DO YOU WANT TO KNOW AN AARDVARK hands the audio spotlight to Ian. | ||
All in all, this album is stuffed and I wouldn't buy it if it was given to me............. | ||
Oct 22nd | Played at Garibaldi's Community Centre punk club - Sunday night. It was....err, different! | |
Oct 28th | John has left his job with the Commonwealth Bank, Summer Hill giving weight to the rumours that | |
The Clones are going all the way | ||
Nov 9th | David Keogh - "This is an historic moment. The time - 1.05am. The date - November 9, 1978. At this | |
moment in time I, David Keogh, seven days from being The Clones manager for two months, hereby | ||
make my first entry in The Clones historical review. | ||
As manager, my first directive in writing is for this written record to be maintained at all times in the | ||
present and future ("get whacked!!" - interlude from Mark). | ||
The following is a non-paid political commercial written outside the Coach & Horses Hotel between | ||
dodging ill-aimed blows being thrown by various Clones and hangers-on!! | ||
The Clones will survive!!! | ||
Ve vill beat zem on ze beaches and ze Seaview and in the loo of Garibaldi's. We will be able to be in | ||
Juke next week! (watch the 'what's on' column folks). That's all for now." | ||
Nov 22nd | Played at Dr Redbird's Wine Bar, North Sydney - famous quote: "Never played on a matchbox before!" | |
Noel gave his ride cymbal the boot for the night - we missed it dearly. Next time we'll bring our | ||
own stage. | ||
Nov 23rd | Governor Bourke Hotel, Camperdown - for the first time, the band outnumbers the audience! | |
Rob Younger of Radio Birdman turned up about three songs before the end and yelled for more! | ||
Mark broke a bass string ("impossible" he said, until it happened) | ||
Nov 28th | Regent Hotel, Kingsford - part of the show recorded on videotape [and exists to this day!-Ed} | |
1979 | Jan 4th | Mark - "On Monday we will be interviewed by SPURT magazine - a punk fanzine that is only sold in |
record bars. Afterwards we will have a band meeting and fire David who has been nothing but | ||
trouble since his moustache blew up." | ||
Jan | We've now done 68 gigs so are well on the way to our first 100. Mark is 21 soon, leaving John behind | |
as the baby in the group (goo goo da da).......... | ||
AND NOW, PRESENTING THE CLONE AWARDS FOR 1978 | ||
Best, most dedicated fan: Kerry (honourable mention to Shelley to prevent death of Kerry!) | ||
Best song of the year: I Want to Hold Your Foot | ||
Most improved song of the year: (tie) Dizzy and She's Not There (after we dropped them!) | ||
Stupid comment of the year: "I Should Have Known Better is too well known, let's do She Loves You!" | ||
Chin of the Year: John | ||
Funniest sight of the year: John as Johnny Aardvark at Arthur's Court {tie} Noel at Regent New Years | ||
Party {tie} Mark's face | ||
Finally, The Golden Clone Award for 1978 to Mr and Mrs David Keogh who had butterscotch and courage | ||
and faith and egg and bacon pie at all the right times............ | ||
2nd MINI-CLONES PLAY.....("Another day in the life of....") | ||
DAVID | Now listen fellas, you've got to be more professional, you've got to drop 'Dizzy', you've got to sing | |
better, you've got to smile, you've got to jump around, you've got to talk to the audience..... | ||
MARK | You've got to go! | |
NOEL | What do you mean, we've got to - you're only the manager, we're the stars - always remember that | |
DAVID | Ok Cisco but you'll never make it without my moustache | |
JOHN | ........or my mother's | |
IAN | Ok boys, we've got to stop this [phone rings, Ian answers - it's his girlfriend who wants him to decide | |
between her or the band - he considers the facts: Should he be with a beautiful, warm-hearted, sensitive | ||
girl whom he loves dearly - enough to buy her milkshakes with malt in them - or should he stay with | ||
three guys, one with a big chin, a mean disposition and 3,685 pimples, one with a big nose, rotten haircut | ||
and a wimpy attitude to everything and one who is a drummer? After a few seconds he chooses | ||
the girl] | ||
DAVID | See you Ian. Okay boys, what do we do now? | |
NOEL | Well, we could talk to the audience | |
DAVID | And smile..........[for a minute everyone gets excited because Ian comes back in the room but he just | |
forgot his shoes] | ||
JOHN | Okay, who's going to sing Route '66 and When I Get Home? | |
MARK | You can, I'm leaving............ | |
DAVID | You can't leave | |
MARK | Ok, I'll stay | |
NOEL | I'm leaving | |
[silence] | ||
[Noel walks out the door, pushed by John and Mark] | ||
DAVID | Now we've got to replace both of them | |
JOHN | But where are we going to find anyone bad enough to fill Noel's position? | |
MARK | I know, we'll get Geoff! | |
DAVID | No, he doesn't have enough cymbals | |
MARK | I'm leaving | |
DAVID | You can't leave | |
MARK | Yes I can, look [he leaves] | |
DAVID | Well, now that they're all gone John, that just leaves you | |
JOHN | Great, now I can play bass with one hand, guitar with another and drums with my feet-I can also sing | |
lead and harmonies both at the same time | ||
DAVID | And remember to smile at the audience, talk to them a lot and don't waste time between songs | |
NEXT WEEK | John does his first gig at French's to rave reviews - he gets a record contract, becomes a big star and all | |
of him lives happily ever after. David buys a new moustache.... | ||
DAVID WRITES: "Having fitted my new moustache, I now feel fully qualified to further this fantastic | ||
collection of meaningless antiques. As always, it's 3.25am on a Saturday morning, January 6th.........." | ||
Jan 6th | Hopetoun Hotel - notable for its Imperial-type atmosphere/as soon as you turn your head there's a brawl. | |
Jim Towers of Cordon Bleu came and said "of course I'm French, why do you think my agency | ||
has this outrageous name?!?" | ||
ANOTHER CLONES PLAY (not another one......."yes, another one!") | ||
THE SCENE | It's 9am on a Saturday morning. It was quiet in The Clones household. Noel is in bed asleep, his | |
sheets and blankets saturated with the sweat pouring from his now fully opened perspiration | ||
glands. John is reclining wistfully in an armchair facing out of the immense glass window which | ||
provides a flirtatious view of the grandiose valley below......... | ||
Mark and Ian are quietly discussing the gig the night before while sipping vivaciously from mugs of | ||
hot coffee prepared by Mrs. Clones Manager who is in the kitchen conjuring up a delightful | ||
breakfast of egg and bacon pie with a side order of butterscotch. | ||
David is nowhere to be found but his trail is obvious as fine moustache hairs lay in a line, leading | ||
out on the landing like a lion's life is lead, leading lowly existence while living little less than | ||
lengthy times.......... | ||
IAN | I think we should drop anything that doesn't move | |
MARK | But that means there'll be only three songs left | |
IAN | Good! Then we can go home earlier | |
DAVID | [leading even lowlier like a little lamb back into the lounge] | |
Good morning amigos! | ||
IAN | Hello David, I was just saying to Mark that we should drop more songs | |
DAVID | I was just thinking about suggesting that we could drop everything and do IT'S MY LIFE by | |
The Animals 45 times every night | ||
NOEL | Good idea [he says as he slurps and slobbers into the room, his sweat soaked feet leaving a damp trail | |
on the shag pile] | ||
JOHN | [looking over from his chair whilst bursting pimples in all directions] No, no, no, no, no, no, no, no, | |
no, no, - I absolutely refuse, I will not do it, no, no, no, no, no, no way, never! - definitely my answer | ||
is NO! What was it you were suggesting again? | ||
IAN | Go back to sleep John | |
JOHN | But I am - I can sleep and argue at the same time. I have an automatic recording in my mouth that | |
just says no to every request | ||
MARK | If you don't shut up I'll skewer you with this mike stand and smash my bass over your head | |
NOEL | Come on fellas, we're supposed to love each other. Well, we're supposed to like each other a lot - | |
at least we're supposed to think a little of each other - well, you can't say we're supposed to | ||
hate each other....... | ||
MARK | Now you're talking, where's my mike stand? | |
ANNIE | [aka Mrs Clones Manager] Now let's be logical about this-don't get into any radical absurdities | |
or paranoid schizophrenias - we can do without unnecessary phobias or incandescent tubulatory | ||
miscarriages | ||
DAVID | Will you please not do that Annie! | |
MARK | Do you want to borrow my mike stand David? | |
IAN | I'm leaving the band.......... | |
DAVID | Why? | |
IAN | I have to go to the toilet | |
DAVID | Oh, good - you'll be back then | |
IAN | I think so, and when I come back I want us to practice for two hours and then take a five minute break | |
and then practice until next Monday. Then we can link up fifty eight songs, choreograph three jumps, | ||
make some posters, practice some more and then we can really start working | ||
DAVID | I don't care what you do as long as you do some of it on the North Shore | |
ANNIE | Ian's got a point there, so has Noel, good idea Mark and John's right about that [Annie looks around | |
and makes three more stuffed toys] | ||
DAVID | Could you not do that Annie!!! | |
ANNIE | Sorry-I'm really, really sorry | |
MARK | I feel in a violent mood tonight, let's go out and kill a few punks | |
IAN | But I thought you were a wimp | |
[Mark suddenly has a wimpy relapse and retreats to the corner for the next three hours while John | ||
writes twenty four new songs, Ian talks and Annie makes another eighty nine stuffed toys] | ||
DAVID | Could you all not do that!!!!! | |
[Three days later, after much songwriting, toy stuffing, wimping etc. they all decide to sit down and | ||
have a serious meeting. Three hours after they begin the meeting someone starts to talk...] | ||
IAN | I think we need to improve the playing ability - in other words, Mark, Noel and John should stop | |
playing | ||
[There is silence for a few seconds then the entire room erupts into a volcanic explosion of attack, | ||
insult, counter-attack and counter insult with Annie in the middle trying to psychoanalyse the | ||
whole situation and work out who is right and why. She's going well until a stray Venetian cookie | ||
connects with her upper molars and she collapses in a heap under the battered coffee table] | ||
EVERYONE | COULD YOU PLEASE NOT DO THAT ANNIE!!!!!!!!!!!!! | |